![]() Many other 80s and 90s hits, such as Groundhog Day, Jurassic Park and Liar Liar, all do the same thing. This perfectly captures the essence of the traditional view of a high concept film:Ī big, original idea that screams “ How hasn’t this been made before!!” You’d instinctively know audiences will love it.You’d be able to easily picture the funny situations Michael gets himself into.You’d be able to see the whole film in your head.You’d be immediately hooked, right? But why? Imagine you’re an exec in 1980 and a writer pitches you Tootsie. The idea of the high concept film really took off during the heyday of the spec era in the 80s and 90s. As such, they’re more readily associated with idea-driven genres such as comedy and action/adventure. ![]() High concept movies are generally regarded as being more idea-driven than character- driven. The term “high concept film” refers (traditionally) to one with a “hook”-a unique idea that sells easily and usually does well at the box office. No matter what the genre.Ĭlick to tweet this post. But also how and why you should apply the tenets of high concept to your story idea. In this post, we’re going to explain exactly what “high concept” traditionally means. Should you be writing scripts that are “high concept?”.The fact that you can ask ten different writers and get ten different opinions, kind of sums up how confusing the notion of a “high concept” has become. Is Deadpool “high concept”? What about Midnight in Paris? Or The Purge? 35 comments High concept: what it is and how to apply it to your story idea.
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